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Más de treinta años después, cuando ya no existen aquellos miedos, cuando el feminismo ha entrado en el debate público, ¿en qué punto nos encontramos en la tensión dominación-colaboración de nuestro modelo cultural?ĭr. El principal temor de la población era un Apocalipsis nuclear que llevase a la extinción del ser humano. Marta Medina: Cuando 'El cáliz y la espada' se publicó en 1987 en Muro de Berlín todavía no había caído. And he bragged about it! And 70 million people supported him at the polls. Someone who says that "grab them by the pussy". A man who, in addition to being an authoritarian, violent and abusive profile, despises women. I mean, 70 million people voted for Donald Trump. We are now in a moment in which we move at the same time towards collaboration and, at the same time, a resistance and a regression that lead to domination. I wrote The Equal Rights Handbook (could be translated as 'Equal Rights Handbook'), which is still and unfortunately very relevant because that amendment fails in its mission. There is no doubt that we have made progress, but at the same time there is resistance to change.
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I wrote a letter to the Supreme Court of the United States about an idea that was then radical: that women should be considered as persons in the Equal Protection Clause of the Fourteenth Amendment. Riane Eisler: As you say, we have achieved things since, to put it into context, since the 70s we have defied laws that were terribly discriminatory.
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More than thirty years later, when those fears no longer exist, when feminism has entered the public debate, at what point do we find ourselves in the domination-collaboration tension of our cultural model?ĭr. The main fear of the population was a nuclear apocalypse that would lead to the extinction of the human being. Marta Medina: When The Chalice and the Blade was published in 1987 the Berlin Wall had not yet fallen. Más de tres décadas después de su publicación, cuando las teorías feministas han salido de los márgenes y han conquistado un espacio en el debate público, cuando los movimientos como el MeToo o Black Lives Matter han señalado los desequilibrios sistémicos de nuestra sociedad, Capitán Swing reedita 'El cáliz y la espada' en español y su autora reflexiona sobre los cambios que se han producido en el mundo desde aquella primera edición en una entrevista con El Confidencial. More than three decades after its publication, when feminist theories have left the margins and have conquered a space in the public debate, when movements such as the #MeToo or Black Lives Matter have pointed out the systemic imbalances in our society, Capitán Swing reissues 'El Cáliz y la Espada' and its author reflects on the changes that have occurred in the world since that first edition. Eisler first wrote ' El Cáliz y la Espada'. The following are notable quotes from the piece: The article, written in Spanish, focuses on how the world has changed since Dr. Their discussion was published in an El Confidencial article titled, "Riane Eisler huyó del Holocausto para revolucionar la historia: "Cambiemos el relato masculino" or Riane Eisler fled the Holocaust to revolutionize history: "Let's change the masculine story". Riane Eisler talks with Marta Medina about the changes that have occurred in the world since 'The Chalice and The Blade's' first edition. In an interview with El Confidencial, an independent online newspaper based in Spain, Dr. The answers and analysis that Dr.Eisler wrote thirty years ago, are as relevant today as they were when The Chalice and The Blade was first printed.
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Dr.Eisler's book may be thirty years old, but it continues to show that it was ahead of its time. The Chalice and The Blade, or El Cáliz y la Espada, has been reissued in Spain, thirty years after its first Spanish print edition.